About
Brandon is a Texas-based communications and visual storyteller working across energy, infrastructure, construction, technology, and long-form editorial projects.
A DOCUMENTARY WAY OF WORKING
Built around a simple practice: enter the space, listen carefully, understand what is actually happening, and turn that experience into material other people can understand and use.
Before moving into corporate communications, Brandon spent nearly two decades working as an editorial and corporate photographer for publications and organizations including The New York Times, The Wall Street Journal, Bloomberg, Shell, ConocoPhillips, TotalEnergies, AT&T, and Goldman Sachs.
That work required him to move quickly through unfamiliar environments: refineries, construction sites, offices, data centers, hospitals, factories, schools, farms, and homes. The assignment was rarely only to make a strong image. It was to understand the situation, recognize the story, and produce work that could hold up for editors, communications teams, executives, and public audiences.
INSIDE ORGANIZATIONS
He most recently served as National Communications Manager for CORE Construction, where he helped shape internal stories, executive communications, project narratives, field-based content, photography, and video while defining visual storytelling standards across the national construction organization.
That role brought his editorial background inside a company. The work became less about single assignments and more about building useful communications assets: stories that recognized field teams, helped leadership explain priorities, supported proposals and case studies, and gave employees across regions a stronger sense of shared work.
LONG-FORM WORK
Brandon is also the author of In That Land of Perfect Day, a long-term photographic study of the Mississippi Delta published by Red Hook Editions. Prints from the series are held by the Museum of Fine Arts, Houston, the High Museum of Art, Atlanta, Telfair Museums, Savannah, the Ogden Museum of Southern Art, New Orleans, and numerous private collections.
The project reflects the same working method he brings to organizational storytelling: time, attention, trust, and respect for the people inside the story.
SELECTED CLIENTS & PUBLICATIONS
The New York Times · The Wall Street Journal · Bloomberg · Barron’s · Rolling Stone · The New Yorker · Shell · ConocoPhillips · TotalEnergies · Digital Realty · AT&T · Airbnb · Match · Goldman Sachs · Warner Bros. Discovery · World Wildlife Fund